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Kintamayama

New Yokozuna Harumafuji Dohyoi-iri style

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As mentioned in one of the earlier threads, the ichimon will only have Aminishiki/Kyokutenho/Kaisei/Asahisho available for the four spots next basho, so the options are somewhat limited.

Edit: Nice Aomori-themed kesho ensemble. :-)

Edited by Asashosakari

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more practice pictures

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All in sweat after practice

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try

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First hounou dohyo-iri at the Meiji-jingu. Tachi-mochi Aminishiki (will be permanent), tsuyu harai Takarafuji.

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As mentioned in one of the earlier threads, the ichimon will only have Aminishiki/Kyokutenho/Kaisei/Asahisho available for the four spots next basho, so the options are somewhat limited.

Aminishiki goes without saying, he's a heya-mate of Harumafuji, thus sticks with him (as will Takarafuji if he comes back up to Makuuchi).

Of the three Tomozuna rikishi, Kyokutenho and Asihisho come from Isegahama-oyakata's old Oshima-beya, don't know if it will mean much though...

I would expect Kyokutenho to stick with Hakuho, so maybe the pairs will be Hakuho -> Kyokutenho, Kaisei and Harumafuji -> Aminishiki, Asihisho ? And what happens if one goes kyujo / retires? They pick one up from another ichimon?

Would value the more experienced members opinion on this. :-)

Daikiho will solve many problems if he comes up, but he has some way to go still...

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Daikiho will solve many problems if he comes up, but he has some way to go still...

Not really. He may even be there in time for Hatsu.

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practice

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receiving the yokozuna recommendation and the tsuna at the Meiji shrine

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I have to say i missed "something" in him. His dohyo-iri was not impressive and seemed a little bit lax, despite the fact that it is his first public one. I missed a special "body language".

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I have to say i missed "something" in him. His dohyo-iri was not impressive and seemed a little bit lax, despite the fact that it is his first public one. I missed a special "body language".

My opinion is his own "flavor" will come in time. I'm pretty sure he was nervous as hell and just trying not to screw it up. With repetition comes comfort and with comfort comes personalization.

BTW, much thanks for posting the video!!

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Didn't Hakuho nearly screw up the dohyo-iri on his first or second honbasho day as yokozuna? Let's give Harumafuji a chance. :-)

BTW, is it just me or does that tsuna look kinda lightweight compared to others? Sure, Harumafuji doesn't have the girth of other yokozuna so it's certainly a shorter rope, but it doesn't seem to be just that.

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Didn't Hakuho nearly screw up the dohyo-iri on his first or second honbasho day as yokozuna? Let's give Harumafuji a chance. :-)

BTW, is it just me or does that tsuna look kinda lightweight compared to others? Sure, Harumafuji doesn't have the girth of other yokozuna so it's certainly a shorter rope, but it doesn't seem to be just that.

One meter shorter and 4.5 kilos lighter than Hakuhou's, i am told.

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Didn't Hakuho nearly screw up the dohyo-iri on his first or second honbasho day as yokozuna? Let's give Harumafuji a chance. :-)

BTW, is it just me or does that tsuna look kinda lightweight compared to others? Sure, Harumafuji doesn't have the girth of other yokozuna so it's certainly a shorter rope, but it doesn't seem to be just that.

One meter shorter and 4.5 kilos lighter than Hakuhou's, i am told.

... due to economic reasons :-D

Edited by Nabuko

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Daikiho will solve many problems if he comes up, but he has some way to go still...

Not really. He may even be there in time for Hatsu.

Really? I hope so, I kind of like him, but his sumo in the last basho did not strike me as ready for Makuuchi yet. I'll be glad to be proved wrong though :-)

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I am curious what this "recommendation document" says. "You did well, bro. Now go kick ass!" surely not.

  1. Thou shall not henka
  2. Thou shall not slap people on the dohyo
  3. Thou shall only use tsuridashi against Gagamaru and tsuriotoshi against Baruto to demonstrate power sumo
  4. Thou shall not chew gum on official occasions
  5. Thou shall not punch people in bars
  6. Thou shall not play soccer while kyujo
  7. Thou shall not push your shisho's wife
  8. Thou shall not defeat Kisenosato on a yusho decider
  9. Thou shall not be friends with Asashoryu
  10. Thou shall not do anything to remind the public that you are the 3rd Mongolian Yokozuna in a row

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I used to love Asashoryu's dohyo-iri. He seemed like the quintessential yokozuna, with a supremely confident look in his eyes, and an aura of invincibility about him. He looked like he could take on the world, and win...

Edited by Kaioshoryu
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I used to love Asashoryu's dohyo-iri. He seemed like the quintessential yokozuna, with a supremely confident look in his eyes, and an aura of invincibility about him. He looked like he could take on the world, and win...

I used to feel the same way about Kitanoumi's dohyo-iri.

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With HF's performance, one can read the thought-bubble above his head, saying, "don'tscrewupdon'tscrewupdon'tscrewup..."

Give him time. He'll relax and get into it.

Edited by Treblemaker

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In the older films, they begin with a clap that looks a lot more like what you might see in ordinary Shinto prayer. I wonder when the big, slow clap they all do now became the style?

Slightly off-topic, the top of the dohyo used to be really loose in the old days. Changing to a firmer surface must have been a major game-changer, and I can only imagine it came about to keep the dust down when they moved competition indoors. I wonder if there were any complaints from the old-timers of the day.

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Nice collection! Of the ones shown here, I personally like Kitanoumi's most. He is freightening, even in the ceremonial moments.

Dissapointing are Musashimaru's and Futabayama's (who looks like a 73 year old auntie in her first ever yoga lesson).

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After taking that walk down the memory lane of dohyo-iri's I'm reminding of why I actually prefer Asashoryu's and Hakuho's over many of the past. I enjoyed both of their slower, deliberate, and intense styles and movements. I remember Akebono and Musashimaru being two of my least favorites when it comes to their dohyo-iri performances, bordering on sloppy.

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